Kate is studying the music cultures of Cornish migrants in the 19th and early 20th centuries. During this time, thousands of miners left Cornwall to find work across the new worlds and British colonies, transporting their culture alongside their labour and industrial expertise. Grounded in historical ethnomusicology, Kate’s work primarily focuses on the spread and development of Cornish Christmas carolling traditions in South Australia and California. This thesis therefore examines concepts and effects of change in both tangible and intangible realms: how tangible social and geographic change can impact on, and be reflected in, intangible cultural materials and practices. Her work also aims to uncover how perspectives of these musical traditions, from their historical context to contemporary practice, have changed and developed over time. Kate is primarily supervised at the School of Music at Cardiff University, with co-supervision at the Institute of Cornish Studies at the University of Exeter.
Emily Carroll: LinkedIn profile : Research blog

Marta Pozzolo: Academia Profile

Joe Connelly
Joe is interested in the concept of a reason, and what it means for a reason to have weight. He is specifically interested, in moral reasons, and is considering whether and in what sense they are a distinct kind of reason, and whether or not moral reasons carry some special weight, just in virtue of being a moral reason. It is from this perspective that Joe considers several long-standing questions in ethics, such as whether moral considerations are overriding, and the problem of moral demandingness.
Joe understands change in the light of normative
force – how reasons or considerations can have the ability (to varying degrees) to change what we
believe and feel, and especially how we act.
Joe is supervised at Reading by Prof.
Phillip Stratton-Lake and Prof. Brad Hooker, and at Southampton by Dr. Jonathan
Way. Joe feels ever so slightly uncomfortable referring to himself in the third person.
Carolina Rangel de
Lima

Carolina is supervised by Dr. Hella Eckardt (University
of Reading) and Dr. Louise Revell (University of Southampton).
Jo Bryant: Academia Profile

Jo is supervised by Prof. Sophie Gilliat-Ray and Dr. Andrew Todd at Cardiff University.
Steven Roberts: sr15732@bristol.ac.uk
Steven is investigating the history of widescreen technology in Hollywood and British cinema, focusing upon film production, aesthetics and marketing during the 1950s. Past studies of the widescreen revolution have chosen to focus upon the US and/or film aesthetics in 'CinemaScope' productions, though new material has sought to extend the scope of research in multiple ways. Steven aims to understand alternative forms of innovation within widescreen cinema, across national borders, by looking at Paramount's large-format 'VistaVision' process and the films in which it is employed. From White Christmas to Vertigo, Powell and Pressburger to Marlon Brando, the project will synthesise an array of texts from the 1950s in order to chart the cultural life of so-called 'high-fidelity' motion picture entertainment. Steven is particularly interested in the material changes which new film technologies embody and effect, whether that be in the studio, onscreen, or in society more broadly.
Steven is a first-year PhD candidate based at the University of Bristol. His research is supervised by Prof. Sarah Street (Bristol) and Dr Helen Hanson (Exeter).
Jaanika Puusalu
Jaanika is interested in the human condition in these turbulent technological times. Her research considers whether the rapid spread of online communication forms, and the myriad of connections they offer, are affecting peoples’ capacity for self-awareness and self-realisation. In particular she is interested in the effect that such 'mediated communication' is having upon teens.
Jaanika is supervised by Professor Christine Hauskeller and Professor David Inglis
at the University of Exeter.
Ben Holmes

Ben is studying British charitable projects for
German civilians during the course of the First World War and its aftermath. In
particular, the project will seek to discover and analyse people’s motivations for
helping those from an enemy nation, how they did this, and how successful they
were.
This topic sits at the heart of a wider debate about change
within the history of humanitarianism. The First World War, and the forces of
devastation it released, is often cited as key transformative moment in the way
charities approached their work. Ben, therefore, seeks to understand
change by studying the factors which influence change or continuities
within a particular historical setting (in this case, early-twentieth century humanitarian
work), how change was interpreted by those experiencing it and how it is
interpreted looking back from today.
Ben is supervised by Professor Andrew Thompson at Exeter and
Dr Emily Baughan at Bristol.
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